The Australian-born curator has been responsible for some of the most significant shows of the last 15 years. She talks fairs, mentors, and the problem with arts education
Ones To Watch winner Jade Carr-Daley’s intimate and open work explores the reality of motherhood as a young Black woman
A Village on the Highway focuses not on the agricultural workers whose activism overturned the ‘black laws’, but the makeshift camps which allowed them to do it
Shot over two decades, Thatcher’s Children follows two generations of the Williams family, let down by the systemic failure of successive governments’ social policy
The current president of Magnum Photos reflects on her life, work, and the state of photojournalism today
Pioneering documentary photography gallery, which has hosted the likes of Chris Killip, Tish Murtha and Mik Critchlow during its 46-year history, faces permanent closure without public support
The New York conceptualist has long turned the camera on itself to question visual cultures. A new show deepens her inquiry into the nature of spectatorship – both human and machine
Condé Nast’s magazines were pioneering in their support of artists including Lee Miller, Irving Penn, Edward Steichen and Diane Arbus. What do their pictures of actors, politicians and writers tell us about how culture is constructed?
The social documentary photographer, who passed away last week on his 68th birthday, told the story of his industrial hometown of Ashington with unparalleled insight and sensitivity
Gail Rebhan and Laura Foster both photograph family members – to preserve cultural moments and deal with difficult circumstances. Read more about both in this month’s editor’s picks, alongside Jem Southam and Leica’s next generation of women trailblazers